Les musiques de la Saison 1 d'"Angel"

Pour avoir des détails sur la chanson, cliquez sur son titre.

Episode
Titre
Interprète

Bienvenue à Los Angeles
Wellwater Conspiracy
Bienvenue à Los Angeles
Howie Beck
Bienvenue à Los Angeles
Gus Gus
Bienvenue à Los Angeles
Gus Gus
Angel fait équipe
Ian Fletcher
Angel fait équipe
Ultra-Electronic
Angel fait équipe
THC
Angel fait équipe
Kathy Soce
Angel fait équipe
Sapien
Angel fait équipe
Chucho Merchan
Angel fait équipe
Mark Cherie & Ian McKenzie
Angel fait équipe
Chainsuck
Angel fait équipe
VAST
Angel fait équipe
Adam Hamilton
Angel fait équipe
Helix
La Pierre d'Amarra
Mozart
L'Appartement de Cordelia
Beethoven
L'Appartement de Cordelia
Tommy Henriksen
L'Appartement de Cordelia
The Mills Brothers
Raison et Sentiments
Solomon Burke
Raison et Sentiments
Solomon Burke
Enterrement de vie de démon
C.Troy & Z.Harmon
Enterrement de vie de démon
Paul Trudeau
Enterrement de vie de démon
Diana Terronova
Rêve prémonitoire
Lunatic Calm
Grossesse expresse
Splashdown
Grossesse expresse
Shayna R. NuDelman
Guerre des Sexes
Supreme Beings of Leisure
Guerre des Sexes
Morphic Field
Guerre des Sexes
60 Channels
Guerre des Sexes
Non-Stop Music Library
La Prison d'Angel
Morphic Field
Cinq sur cinq
Rob Zombie
Cinq sur cinq
KPM Music Library
Frères de sang
A Friend From Rio
Frères de sang
The APM Music Library
Le Manuscrit
Grant Langston

 

"Right of Left Field" (Wellwater Conspiracy)

It crazy's me
Leftwardly
Stood it well
Just when you feel

Forced mistake
To let it slip away
Concentrate baby
To make it go away

Between your red
Miles of deceit
Put a wall
To all you bestow
The more they find
You come untwined
It comes in waves
Blow me away

Feels like a new moon rising
Just to the right
Of left field

I've been watching you
From the dark side
Growing inside

Blazing feet
Just out of reach
Down enlist
O plant your feet in

Episode : "Bienvenue à Los Angeles"
Moment : Dans le bar au début de l'épisode (1e min).
Note : 7/10

 

"Maybe I Belong" (Howie Beck)

Paroles indisponibles.

Episode : "Bienvenue à Los Angeles"
Moment : Au café où travaille Tina (10e min).
Note : 6,5/10

 

"Ladyshave" (Gus Gus)

Steam slowly builds up now
Between my ears, there is fog now.
The soothing sounds of your shower
Make my life this hour.

I guess I must have messed it up.
I guess I must have messed it up.
I guess I must have messed it up
When I gave you the ladyshave.

Your heart's a pumping bass and I like that.
My heart is missing pace, and I like that.
A ladyshave I can see now.
A ladyshave now I know how.
Now I know

I guess I must have messed it up. (I guess you must have)
I guess I must have messed it up. (I guess you must have)
I guess I must have messed it up (I guess you must have)
When I gave you the ladyshave.

A lay, a lay, a lay, a ladyshave I can see now
That to do, to do, to do the ladyshave needs a know-how.

I guess I must have messed it up when I gave you the ladyshave.

Episode : "Bienvenue à Los Angeles"
Moment : A la fête (13e min).
Note : 6/10

 

"Teenage Sensation" (Gus Gus)

I feel my heart slamming
Against my ribs
The smell of your body
And the touch of your lips
You are beyond all imagination
You are beyond all imagination

Gee, I love you so much I can look and I
Can touch
I can touch
My teenage sensation

Your skin must be from another world
My limbs are numbed with your
Pleasuredome
For the first time
A revelation
Beyond all imagination

Gee, I love you so much
I can look and I can touch
I can touch
My teenage sensation

And I think maybe it's wrong
How young is too young
How young is too young
My teenage sensation ?

Episode : "Bienvenue à Los Angeles"
Moment : A la fête (16e min).
Note : 5,5/10

 

"Deadside" (Ian Fletcher)

Pas de paroles.

Episode : "Angel fait équipe"
Moment : Dans la vision de Doyle (2e min).
Note : 2/10

 

"Dissonance" (Ultra-Electronic)

Paroles indisponibles.

Episode : "Angel fait équipe"
Moment : Au bar, Kevin rencontre Sharon (2e min).
Note : 3/10

 

"Girlflesh" (THC)

Destroyer, maker of wounds
Delimber, mirror soul
Hey, hey - girlflesh
Hey, hey - girlflesh

If I were you, I wouldn't take my time
If I were you, I wouldn't close my eyes
If I were you, I'd listen to her words
If I were you, I wouldn't sit content
Well fucked and warm
Girlflesh - sweet crime
Undercover in girlflesh
Wicked mind

Destroyer, maker of wounds
Delimber, mirror soul
Hey, hey - girlflesh
Hey, hey - girlflesh

Open your eyes
Here stands your unmaker smiling
Frustrated eternal - enraged
Undercover in girlflesh
The waiting kind
Undercover in girlflesh
Pure mind
Hey, hey - girlflesh
Girlflesh - hey, hey

Episode : "Angel fait équipe"
Moment : Kevin discute avec Sharon (4e min).
Note : 3/10

 

"Do You Want Me ?" (Kathy Soce)

Don't you know where I wanna be ?
Do you want me ?
Do you want me ?
Do you want me ?
Like I want you ?

Do you want me ?
Do you want me ?
Do you want me ?
Like I need you ?

Time and time again
I wanna touch you
I wanna hold you
I wanna love you

Stay with me
Stay with me
Stay with me
Tonight

Episode : "Angel fait équipe"
Moment : Angel fait la connaissance de Kate (9e min).
Note : 5/10

 

"Neo-Climatic" (Sapien)

Paroles indisponibles.

Episode : "Angel fait équipe"
Moment : Angel se fait draguer après la bagarre (13e min).
Note : 2/10

 

"Ballad of Amave" (Chucho Merchan)

Pas de paroles.

Episode : "Angel fait équipe"
Moment : Angel, Doyle et Cordelia discutent (15e min).
Note : 6,5/10

 

"Lazy Daze" (Mark Cherie & Ian McKenzie)

Paroles indisponibles.

Episode : "Angel fait équipe"
Moment : Angel tente d'empêcher Kate d'aller au bar (18e min).
Note : 7/10

 

"Emily Says" (Chainsuck)

I'm tired of tasting my own blood
It's dripping down my throat
Where the birds used to be
I know it's going to take a flood of flowers
Just to banish everything that I see

This is just the way it is now
Don't cry
You know you should be laughing somehow
Yeah you should be laughing

'Cause she took a bullet in the back
And didn't die
Emily says hello and not goodbye

I'm tired of locking all the doors
Laughing to myself
Because it's such a joke
Doors are only locks and wood
These days you hit fire
Before you ever feel the smoke

This is just the way it is now
Don't cry
You know you should be laughing somehow
Yeah you should be laughing

'Cause she took a bullet in the back
And didn't die
Emily says hello and not goodbye

Episode : "Angel fait équipe"
Moment : Angel s'informe sur Sharon au bar (21e min).
Note : 6,5/10

 

"Touched" (VAST)

Touched
You say that I am too
So much of what you say is true

I'll never find someone
Quite like you again

I'll never find someone
Quite like you like you
The razors and the dying roses
Plead i don't leave you alone
The demi-gods and
Hungry ghosts
God, god knows I'm not at home

I'll never find someone
Quite like you again

I'll never find someone
Quite like you again
I looked into your eyes and
Saw a world that does not exist
I looked into your eyes and
Saw a world I wish I was in

I'll never find someone
Quite as touched as you

I'll never love someone
Quite the way
That I loved you

Episode : "Angel fait équipe"
Moment : Montage d'Angel en mission et Kate le traquant pendant que le démon continue son carnage (29e min).
Note : 8/10

 

"For You" (Adam Hamilton)

Paroles indisponibles.

Episode : "Angel fait équipe"
Moment : Kate attend Angel au bar (33e min).
Note : 3/10

 

"Quango" (Helix)

Paroles indisponibles.

Episode : "Angel fait équipe"
Moment : Le barman parasité et en train de se décomposer tente de trouver une proie (35e min).
Note : 2,5/10

 

"Symphony n°41" (Mozart)

Pas de paroles.

Episode : "La Pierre d'Amarra"
Moment : Marcus met cette musique pour torturer Angel (19e et 26e min).
Note : 5/10

 

"Symphony n°9 - Ode To Joy" (Beethoven)

Pas de paroles.

Episode : "L'Appartement de Cordelia"
Moment : Chez Angel quand Cordelia débarque (5e min).
Note : 5/10

 

"Everyday" (Tommy Henriksen)

Paroles indisponibles.

Episode : "L'Appartement de Cordelia"
Moment : Brièvement, à la radio quand le fantôme de Maude veut effrayer Cordelia (17e min).
Note : 6/10

 

"You Always Hurt the One You Love" (The Mills Brothers)

You always hurt the one you love
The one you shouldn't hurt at all
You always take the sweetest rose
And crush it till the petals fall

You always brea-eak the kindest hear-eart
With a hasty word you can't recall, so
If I broke your heart la-ast night
It's because I love you most of all

You always hurt the one you lo-ove
The one you shouldn't hurt at all
You always take the sweetest ro-ose
And crush it till the petals fa-all

You always break the kindest heart
With a hasty word you can't recall
So-o if I broke your heart last night
It's because I love you mo-ost of a-all

You always hurt the one you love
The one you shouldn't hurt at all
You always take the sweetest rose
Crush it, ti-ill the petals fall

You always brea-eak the kindest heart
With a hasty word you can't recall, so
If I broke your heart last night
It's because I love you most of all

Episode : "L'Appartement de Cordelia"
Moment : A la radio, quand Maude fait peur a Cordelia pendant la nuit et pendant le flashback de Denis et Maude (17e & 37e min).
Note : 3/10

 

"Everybody Needs Somebody to Love" (Solomon Burke)

Everybody needs somebody
Everybody needs somebody to love (someone to love)
Sweetheart to miss (sweetheart to miss)
Sugar to kiss (sugar to kiss)
I need you you you
I need you you you
I need you you you In the morning
I need you you you When my soul's on fire

Sometimes I feel
I feel a little sad inside
When my baby mistreats me
I never never never have a place to hide
I need you

Sometimes I feel
I feel a little sad inside
When my baby mistreats me
I never never never have a place to hide
I need you you you
I need you you you
I need you you you
I need you you you
I need you

You know people when you do find that somebody
Hold that woman, hold that man
Love him, hold him, squeeze her, please her, hold her
Squeeze and please that person, give 'em all your love
Signify your feelings with every gentle caress
Because it's so important to have that special somebody
to hold, kiss, miss, squeeze and please

Everybody needs somebody
Everybody needs somebody to love
Someone to love
Sweetheart to miss
Sugar to kiss
I need you you you
I need you you you
I need you you you

Episode : "Raison et Sentiments"
Moment : Dans le bar pendant que Kate discute avec son père (14e min).
Note : 7/10

 

"Baby" (Solomon Burke)

Paroles indisponibles.

Episode : "Raison et Sentiments"
Moment : A la fête de retraite de Trevor (20e min).
Note : 5,5/10

 

"Come Correct" (C.Troy & Z.Harmon)

Pas de paroles.

Episode : "Enterrement de vie de démon"
Moment : Angel et Doyle détruisent une bande de vampires punks (4e min).
Note : 3/10

 

"Don't Do It" (Paul Trudeau)

Paroles indisponibles.

Episode : "Enterrement de vie de démon"
Moment : Dans le bar, avant la fête (24e min).
Note : 3/10

 

"Come On 2000" (Diana Terronova)

Paroles indisponibles.

Episode : "Enterrement de vie de démon"
Moment : Pendant le strip-tease à la fête (28e min).
Note : 6,5/10

 

"Leave You Far Behind" (Lunatic Calm)

I wanna take you on a roller coaster
I wanna tell you that I'm feeling closer
I wanna push it right over the line
I wanna push it right over the line
The line that you draw as you draw me near
The line that you draw as you draw me near
I want (x5), I wanna leave you far behind

Episode : "Rêve prémonitoire"
Moment : Penn poursuit sa collection d'articles au mur (14e min).
Note : 6,5/10

 

"Games You Play" (Splashdown)

Acceptance in respect to how you say your prayers
To one from whence we came who has no name
As branching factions fractal in symbology
A oneness which breaks unity from roots which claim we're all the same

If "every opposition carries within it the seeds of agreement"
Then "the brighter your virtue the higher you'll rise"

So if your past approaches you
Preaching comfort, don't be fooled into a war you'll lose
Keep still and she will pass you sooner
And if it's silence that you fear
Yet you pray the noise will clear your mind
Keep still and let the unknown tear you from your thoughts
And set you free from the games you play

Acceptance in respect to how you live your life
For you and only you may bear your weight
As branching factions fractal in philosophy
Your oneness may seek unity in centered stillness -- unnamed faith

Episode : "Grossesse expresse"
Moment : Au bar, Cordelia discute avec Wilson (7e min).
Note : 7/10

 

"Deeper than a Milkshake" (Shayna R. NuDelman)

Paroles indisponibles.

Episode : "Grossesse expresse"
Moment : A la radio, chez Cordelia (11e min).
Note : 6/10

 

"Strangelove Addiction" (Supreme Beings of Leisure)

I must resist the thought you kissed
The truth you've somehow turned around
I must resist your soft warm fist
The pounding of a lonely sound
You as thin as rain
And me
I wear my heart
Like a red stain

I fear that i am not enough for you
I just don't measure up
I fear this constant condition
My strange strangelove addiction
Strange
Strangelove addiction
Strange
Strangelove addiction
Strange
Strangelove addiction
Strange

I must deny the lullabye
The skin the touch that makes me high
I must deny not knowing why

Episode : "Guerre des Sexes"
Moment : A la fête chez Cordelia (1e min).
Note : 6,5/10

 

"In Time" (Morphic Field)

Paroles indisponibles.

Episode : "Guerre des Sexes"
Moment : A la fête chez Cordelia (2e min).
Note : 7/10

 

"Light Years On" (60 Channels)

Paroles indisponibles.

Episode : "Guerre des Sexes"
Moment : A la fête chez Cordelia (2e min).
Note : 6/10

 

"Pure Roots" (Non-Stop Music Library)

Paroles indisponibles.

Episode : "Guerre des Sexes"
Moment : Angel s'imagine en train de danser (lol !) (2e min & générique de fin).
Note : 6/10

 

"Consciousness (Aware of You)" (Morphic Field)

Paroles indisponibles.

Episode : "La Prison d'Angel"
Moment : Au bar, Angel rencontre Lilah pour la première fois (8e min).
Note : 7/10

 

"Living Dead Girl (Subliminal Seduction Mix)" (Rob Zombie)

Rage in the cage
And piss upon the stage
There's only one sure way
To bring the giant down
Defunct the strings
Of cemetary things
With one flat foot
On the devil's wing

Crawl on me
Sink into me
Die for me
Living dead girl
Crawl on me
Sink into me
Die for me
Living dead girl

Raping the geek
And hustling the freak
Like a hunchback juice
On a sentimental noose
Operation filth
They love to love the wealth
Of an SS whore
Making scary sounds

Crawl on me
Sink into me
Die for me
Living dead girl
Crawl on me
Sink into me
Die for me
Living dead girl

Psyclone jack
Hallucinating hack
Thinks donna reed
Eats dollar bills
Goldfoot machine
Creates another fiend
So beautiful
They make you kill

Crawl on me
Sink into me
Die for me
Living dead girl
Crawl on me
Sink into me
Die for me
Living dead girl

Blood on her skin
Dripping with sin
Do it again
Living dead girl
Blood on her skin
Dripping with sin
Do it again
Living dead girl

Episode : "Cinq sur cinq"
Moment : Faith danse en Boîte (6e min).
Note : 3,5/10

 

"Pressure Cooker" (KPM Music Library)

Pas de paroles.

Episode : "Cinq sur cinq"
Moment : Lilah et Faith sortent de la Boîte (12e min).
Note : 5/10

 

"Para Lennon & McCartney" (A Friend From Rio)

Pas de paroles.

Episode : "Frères de sang"
Moment : A la fête de David Nabitt (2e min).
Note : 6/10

 

"Hellfire" (The APM Music Library)

Pas de paroles.

Episode : "Frères de sang"
Moment : A la maison close de démons (9e min).
Note : 5,5/10

 

"Time of Day (acoustic)" (Grant Langston)

Paroles indisponibles.

Episode : "Le Manuscrit"
Moment : Grant Langston chante cette chanson sur le marché où Cordelia se balade (16e min).
Note : 7/10